Shunichi Ayusawa | Markins Ball Head


Theme
Natural scenery photography (ball head)
Photographer
Shunichi Ayusawa
Date
October 2015
Location
Nagano Prefecture Kirigamine Plateau and Takabocchi Plateau
Device
Markins
Q3TR-BK Ballhead
Canon
EOS 5D MarkⅡ
EOS 6D
EF 16-35mm F2.8 L II USM
24-105mm F4 L IS USM
Slik
SLIK PRO 700 DX Ⅲ
Review
Shunichi Ayusawa
Born in 1979 in Nagano Prefecture. Began serious photography in 2007 while working at a printing company, inspired by the beautiful natural landscapes of Shinshu. Focuses primarily on landscape photography, with activities spanning both Japan and overseas. Regularly exhibits works in photo exhibitions and takes great care in prints and framing, leveraging expertise from the primary profession.

URL : http://thecapsule.jp/
I had been using a 3-way head for years and never felt dissatisfied with its stability or precision during landscape photography. I never considered switching to a different type of head until I encountered Markins at the 2015 CP+ exhibition. Its outstanding stability and the intuitive operation of the ball head immediately drew me in, and I decided to try my first ball head.

As expected, it took some time to get used to, but I soon found that the ball head allowed for highly intuitive and precise framing through the viewfinder. Over time, this new style became second nature. The simple and compact design was also a huge plus, offering excellent portability and storage convenience during travel.

I frequently shoot upward angles, vertical compositions, and panoramas, requiring the ability to set stable compositions at various angles. The Markins ball head met these demands perfectly. As I used it more, new desires for enhanced functionality naturally emerged. By pairing it with accessories like the L-Plate or the VR-Holder, I realized it could further expand my creative possibilities and improve usability.

Although landscape photography appears to allow for a leisurely approach, the reality at shooting locations is often hectic, driven by the unannounced "shows" that nature performs. Capturing rapidly changing scenery means framing and shooting in quick succession. The workflow involves repeatedly framing through the viewfinder, tightening the ball lock knob, capturing the shot, loosening the knob, reframing, and shooting again. In such scenarios, the ball lock knob's limit dial is incredibly helpful, preventing over-loosening during continuous operation.

The Markins ball head is often associated with heavy telephoto lenses due to its impressive load capacity. However, its advantages extend to wide-angle and standard lenses, which can also exert significant loads depending on the shooting angle. It excels in situations like bulb photography or time-lapse shooting, where maintaining a fixed position for extended periods is crucial.

For photographers seeking higher stability, superior quality in their work, and an environment that allows them to focus on intuitive shooting, I wholeheartedly recommend Markins.
Floating on the plateau (Kirigamine Plateau)

Canon EOS 5D MarkⅡ / 24-105mm F4 L IS USM


End of the sea of ​​clouds (Takabocchi Plateau)

Canon EOS 6D / 24-105mm F4 L IS USM






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